Biography

The career ran across a change in the business. She started in 2006, when scenes were still sold on discs and a performer built a name through a small number of releases, and she finished in 2018, when the same work was streaming and the audience had become global and instant. Twelve years is a long time in a job that usually burns through people in three. In May 2013 she was Penthouse Pet, a distinction that carried her name to readers well beyond the scene listings. She did not need the magazine to be known, but it widened the room.

What keeps the work alive is not scale. It is the absence of armour. She laughs at the right moment, looks into the lens as if she has just remembered it is there, and lets a scene stay small when a bigger performance would have broken it. The body is compact and the face does most of the work: a raised eyebrow, a grin, a flicker of surprise that reads as genuine even on the tenth viewing. She stopped shooting in 2018, and the scenes remain the argument. They still hold up.